There is widespread consensus that we are living at the end—of democracy, of liberalism, of capitalism, of a cool planet, of the Holocene, of civilization as we know it. Catastrophic environmental breakdown, mass species extinction, financial collapse, global nuclear war, apocalyptic populism, racist and sexist division—the diagnoses are seemingly endless, prompting multiple questions: What hopes for survival, how can we imagine the unimaginable, who is the collective “we,” and what will life look like beyond the many ends portrayed in pop-culture, dystopian sci-fi, political commentary, Indigenous worldviews, and post-anthropocentric philosophies? Addressing this urgent, multifarious, and world-historical subject that centers interlinked socio-political, economic, and environmental crises, this year-long seminar invites some of the world’s leading speculative thinkers and cultural practitioners to UC Santa Cruz to deliver public lectures considering such questions. These will punctuate an expansive research project that includes art exhibitions (at the Museum of Art and History in Santa Cruz, Mar 6 – June 21, 2020, and at the Sesnon Gallery, UC Santa Cruz, April 2 – May 16, 2020), a Radical Futurisms film screening series, and coordinated postdoctoral and PhD-level scholarship.

In the wake of multiple worlds that have already ended, we are already living in a post-apocalyptic present following countless genocides and colonialisms. With reference to diverse traditions of the oppressed, this research project addresses competing urgencies and future threats informed by past and present injustices. In doing so, it brings into focus multiple radical futurisms—from new articulations of Afrofuturism to Indigenous forward-gazing imaginaries, from post-capitalist utopian constructions to visions of multispecies flourishing—as critical resources not only for imagining an emancipatory not-yet beyond the nihilism and negativity of the present, but also as necessary guideposts for cultivating a coming world of justice and equality.

Keynote presentations: Keeanga-Yamahtta Taylor, award-winning author of From #BlackLivesMatter to Black LiberationAmitav Ghosh, award-winning fiction writer and author of The Great Derangement: Climate Change and the Unthinkable; Nick Estes (Lower Brule Sioux), co-founder of Red Nation and author of Our History Is the Future: Standing Rock Versus the Dakota Access Pipeline, and the Long Tradition of Indigenous Resistance; Melanie Yazzie (Bilagáana/Diné), Red Nation member and co-editor of Decolonization: Indigeneity, Education and Society; and artist-activists Amin Husain and Nitasha Dhillon of MTL/Decolonize This Place, an action-oriented movement centering Indigenous struggle, Black liberation, free Palestine, global wage workers and de-gentrification.

Arthur Jafa; Martine Syms; Donna Haraway; Laurie Palmer; Rasquache Collective; Amy Balkin; Teddy Cruz + Fonna Forman; Krista Franklin; Allora & Calzadilla; Future Farmers; Super Futures Haunt Qollective; Helen and Newton Harrison; Moor Mother (Camae Ayewa) and Black Quantum Futurism.

PROJECT DIRECTOR: T. J. Demos, Professor, History of Art and Visual Culture, Director of the Center for Creative Ecologies, UC Santa Cruz.

CO-ORGANIZERS: Hunter Bivens, Associate Professor of Literature and German Studies, UC Santa Cruz; Mayanthi Fernando, Associate Professor of Anthropology, UC Santa Cruz; Deborah Gould, Associate Professor of Sociology, UC Santa Cruz; and Matt O’Hara, Professor of History, UC Santa Cruz.

INSTITUTIONAL PARTNERS: The Humanities Institute, Sesnon Gallery, Center for Creative Ecologies, Arts Division, and Institute for the Arts and Sciences, of UC Santa Cruz; The Museum of Art and History, Santa Cruz; and Indexical. Funded by a grant from The Andrew W. Mellon Foundation Sawyer Seminar on the Comparative Study of Cultures.